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c. 1445 – May 17, 1510. Italian painter.

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Jules Elie Delaunay
Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )

ID: 10939

Jules Elie Delaunay Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )
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Jules Elie Delaunay Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus )


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Jules Elie Delaunay

Nantes 1828 - Paris 1891. French Neoclassical Painter. Studied under Hippolyte Flandrin. French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.  Related Paintings of Jules Elie Delaunay :. | The Annunciation sg97 | Virgin and Child in a Landscape sg | Eselreiter | There are saints and the altar painting of Our Lady of the Angels | Arab or Arabic people and life. Orientalism oil paintings 467 |
Related Artists:
Marquis, James Richard
Irish, Scottish heritage, Active 1835-85
Julius Ludwig Friedrich Runge
painted Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste in
Master of ST Ildefonso
Castile,end of the fifteenth century Spanish painter. He is named from St Ildefonso's Reception of a Chasuble from the Virgin Mary (Paris, Louvre), which is traditionally held to come from Valladolid; it may even have come from the chapel of S Ildefonso in the Colegiata there. The style, characterized by harmony of colour and intense expressions, resembles that of four panels of St Athanasius, St Louis of Toulouse, both enthroned, SS Peter and Paul and SS Andrew and James the Great, which probably came from the convent of La Merced, Valladolid. They have been attributed to the Master of vila, but Post considered them to be the work of the Master of St Ildefonso, a more sophisticated painter, although both artists modified the harshness of their Netherlandish models. There are also similarities with Jacomart's triptych of St Anne in the Colegiata, Jetiva, but these may be coincidental. Other works attributed to the Master include St Anne and St Anthony of Padua,






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